
Udyr
Av Ingvild Bjerkeland
Laster...
– Priyanka Champaneri, The Washington Independent, 18.04.2025Bjerkeland walks a careful line between being mindful of her audience’s age while refusing to shrink from the truth. Filled with tension and a few heart-pounding moments, Beasts never fully strays into the darker recesses like its postapocalyptic adult cousins The Road or I Who Have Never Known Men, yet it also resists easy answers or a storybook ending.
It’s a balance that clearly works: The author’s biography notes that 10,000 schoolchildren chose the novel for Norway’s top bookseller’s prize. With its propulsive prose and its central siblings whose survival is powered by empathy, Beasts is likely to garner praise from far more readers than that in the United States and beyond.
– Nora Steenberg, BOK 365, 22.06.2023«...Udyr er virkelig ett av de store høydepunktene i barnebokvåren 2023.[...]Den apokalyptiske science-fiction-romanen, ispedd grøsserelementer, er garantert å holde unge, utålmodige lesere fjetret fra første setning. Og ikke minst få dem til å reflektere over vår tids store globale utfordringer.[...]Bjerkeland er nok aller best i actionsekvensene og miljøbeskrivelsene – som gjennom korte, konsise setninger, nærmest oppleves som noe tilsvarende slam-poesi.[...]Bokens hovedtyngde ligger i flukt/krisetid-tematikken. Bjerkelands beskrivelser av menneskers desperasjon, og hva man kan få seg til å gjøre i krisetid, er sterk lesing.»
Beasts have invaded thirteen-year-old Abdi’s homeland. With their hoofed feet, long arms, slender hands, and razor-sharp claws, the beasts pursue and kill every living creature. The government has collapsed; there’s no electricity; supermarkets are empty. What’s even worse is the way people have turned against one another, fighting for survival. When their mother is killed, Abdi flees through open country with his little sister, hoping to reach the coast and find a boat to take them overseas to their father. Bjerkeland’s propulsive tale is sleek and elegant, a subtle blend of fable and realism that increasingly reflects many of today’s desperate refugees’ experiences. Every sentence is direct and brief, vivid with eventfulness, uncertainty, and Abdi’s deep sense of responsibility for his sister. Even moments of rest and relative safety—the pleasure of food or the solace of finding one trustworthy adult—are highly charged. “I missed grown ups,” Abdi laments, and in these few words Bjerkeland evokes the failed adult world, the injustice that plays itself out on children. The story’s brevity and abrupt forcefulness, and the characters’ stalwart courage and love, make this tale unusually compelling.
– Horn Book, Horn Book Magazine
Bjerkeland's propulsive tale is sleek and elegant, a subtle blend of fable and realism (...). Every sentence is direct and brief, vivid with eventfulness, uncertainty (...)“I missed grown ups,” Abdi laments, and in these few words Bjerkeland evokes the failed adult world, the injustice that plays itself out on children. The story’s brevity and abrupt forcefulness, and the characters’ stalwart courage and love, make this tale unusually compelling.
– Horn Book Magazine, Horn Book Magazine
En dystopisk fortelling full av skrekk og fortvilelse.
«Udyr» er en sjeldent skummel ungdomsbok som virkelig får hårene til å reise seg i nakken og gir deg trangen til nok en gang å sjekke at utgangsdøra er låst.(...) Boka har stort lesedriv, få karakterer og et aktivt og enkelt språk.
Den egner seg best for de som er skikkelig glad i grøssere.– Leser søker bok, 100-lista - Leser søker bok
Den här får ingen missa!
Från första sidan håller den läsaren på helspänn, och långt efter läsningen lever den här skildringen inuti.
– Bokmagasinet Vi läser, Bokmagasinet Vi läser (Sverige)